It's been over two years since I last posted something from Svart Crown so it's high time for a new release from this French cult. There's been some moderate changes since their impressive "Witnessing the Fall". They've increased their Death Metal tendencies and are showcasing a stronger Immolation influence. There also seems to be a modern Hardcore influence creeping in, especially with the vocals. What you end up with is a diverse, well-played album of Blackened Death Metal dotted with pleasant suprises.
Friday, April 26, 2013
Holy Moses may be known as a Progressive Thrash band, but in their early days I would say they were more akin early Death Metal. Some of that is from the lyrical subject matter, but most is from the sloppy, growly vocals that remind me much of Obituary. Had this album come out two years earlier in '89, I think it definitely would be compared to revered releases of the early American school like Leprosy and Slowly We Rot. Terminal Terror is simple, primal, and effective.
Thursday, April 11, 2013
This is the new Death Metal band that you need to be paying attention to. Stylistically, Dormant Ordeal are about half way between the mechanical precision of Decapitated and the experimental dissonance of Diskord. For years Decapitated have been softening up and sounding more and more like Fear Factory, so It Rains, It Pours harkens back to Decap's younger years (except better). You get all the jagged complexity and baffling timing but with warmth and tone that hasn't been present in Death Metal production for over ten years.
Like the name would imply this is basically a tech-head's wet dream. Twisted into Form is not a Forbidden cover band but an Ultra-Prog, Post-Thrash project put together by David Husvik (ex-Extol). The Extol influence is obviously very strong with some Believer and late-era Death in there as well. I wish there would be some blazing fast parts instead of just being mid-paced all the time, but it still gives me that bi-weekly brain workout that I require.
Monday, April 1, 2013
It's always interesting to hear what old bands come up with these days. Often they just release the same album over and over (Asphyx, Incantation), or they actually stretch their creative muscle and come up with something really worth listening to. Aeternus have never been strangers to virtuosity, but they've never displayed it so well before now (and without being overbearing). And The Seventh His Soul Detesteth reminds me of a rawer, darker version of Unleashed's Odalheim or a more accessible version Diskord's Dystopics. Aeternus have always seemed unsure of their direction, but I do hope that they settle on the path that they've taken here.